Dream 製作教學！

Prompt (角色圖)
Charactersheet girl is wearing A charming, elegant black-and-cream vintage-inspired children’s outfit, with a soft minimalist Korean/Japanese fashion aesthetic.
CLOTHING: A loose, slightly cropped black collarless jacket/cardigan made from soft matte fabric, featuring a clean round neckline, subtle small black buttons down the center front, relaxed dropped shoulders, and wide long sleeves. The jacket has a gently structured, boxy silhouette with a slightly flared hem.
Underneath, a warm ivory/cream blouse with a soft flowing shape. The blouse extends below the black jacket and finishes with a delicate scalloped cream lace trim, creating a visible romantic lace layer around the waist. Keep the cream fabric slightly textured and lightweight rather than bright white.
Pair it with very loose black balloon/harem trousers, dramatically roomy through the hips and legs with a soft rounded silhouette, tapering gently toward the ankles. The fabric should look lightweight, matte, comfortable, and naturally gathered, creating subtle folds and volume.
Finish with simple black rounded-toe Mary Jane flats, minimal design, matte finish, with a small strap across the top of each foot. No socks, no jewelry, no bag, no additional accessories.
HAIRSTYLE: Dark brown to nearly black hair styled into a soft, slightly messy low bun at the back, with the hair naturally gathered rather than tightly slicked. Keep a soft center/near-center part, with long wispy curtain-like strands and fine flyaway hairs framing both sides of the face. Several loose strands fall naturally around the temples, cheeks, and ears. Add a tiny cream-colored flower hair clip positioned subtly near the side/back of the bun. The overall hairstyle should feel delicate, effortless, slightly tousled, natural, and youthful.

Use the kid from the character sheet reference exactly, keeping the same face, hairstyle, flower clip, clothes, and childlike proportions, and make her perform the exact same lip-sync, facial expressions, head movements, gestures, and timing as the provided source video. Keep her standing naturally in front of the pale yellow 90s suburban house with white-framed windows and the slightly overgrown colorful flower garden, preserving this background throughout the entire video. Give everything a dreamy nostalgic 1990s film/home-video look—warm faded yellow-green tones, soft sunlight, gentle haze, creamy highlights, lifted blacks, subtle bloom, soft focus, fine analog grain and film noise, like an old childhood memory.

Use the character-sheet girl as the strict character reference. Keep her exact recognizable facial appearance, hairstyle, body proportions, age, outfit continuity, and overall character design consistent throughout the entire video. Do not beautify, redesign, or reinterpret her.
Create a nostalgic, playful outdoor scene of the character-sheet girl running freely through a huge open grassy field while playing with a group of small, extremely fluffy sheep.
COLOR GRADE & FILM LOOK — STRICTLY LOCKED TO REFERENCE
Match the exact visual mood and color treatment of the provided reference image. The footage should feel like a warm, slightly faded piece of vintage film rather than a modern digital video.
Use warm late-afternoon sunlight with a soft golden/amber cast. Greens should be muted, earthy olive-green, never bright or neon. Skin tones remain naturally warm and slightly creamy. Highlights have a subtle yellow-golden warmth, while shadows are soft, slightly brown/green, and never crushed to pure black.
Keep moderately low saturation, restrained contrast, gently lifted blacks, slightly faded colors, soft highlight roll-off, and subtle atmospheric warmth. Add fine organic film grain, very subtle analog noise, slight softness, mild natural halation around strongly illuminated edges, and a tiny amount of vintage lens haze. The image should have the imperfect texture of an older 16mm/35mm family-film photograph mixed with an early-2000s cinematic home-video feeling.
Do not use cool cyan grading, strong blues, teal-and-orange grading, HDR, deep crushed blacks, extremely sharp digital details, oversaturated grass, glossy commercial lighting, or clean modern smartphone-video processing.
ENVIRONMENT
The girl is running through an enormous, peaceful field of soft rolling green grass, extending toward a simple distant horizon. Keep the landscape minimal and natural. The warm sunlight falls sideways across the grass, producing long, very soft shadows and beautiful patches of golden illumination.
No houses, roads, fences, mountains, vehicles, crowds, poles, or modern objects. Only the girl, sheep, grass, distant rolling terrain, and natural sky.
SHEEP — VERY FLUFFY
Around her is a small flock of adorable, relatively small sheep with an unusually huge amount of wool. Their bodies should appear round and extremely fluffy because of their dense, long, soft, slightly messy wool. Think tiny sheep surrounded by oversized cloud-like coats of natural wool.
They are not ordinary thin-wool sheep. Make them noticeably extra fluffy, puffy, fuzzy and soft, while maintaining completely realistic sheep anatomy.
Several sheep run directly beside her, some slightly ahead, and several behind her. Their fluffy wool naturally bounces and jiggles as they run, while their little legs remain visible underneath.
ACTION & PERFORMANCE
The girl runs freely through the grass laughing and genuinely playing with the sheep. She isn't simply jogging while the animals follow her.
She playfully runs between them, changes direction unexpectedly, reaches toward one fluffy sheep running beside her, pulls her hand back while laughing, then continues running. One or two sheep playfully race ahead of her while the others follow around her.
Her performance is extremely natural, spontaneous and human. Her smile develops naturally rather than remaining frozen. She laughs, catches her breath, looks toward the sheep, briefly looks back toward the camera, and then turns forward again.
Her hair moves naturally from her running and the gentle breeze. Her clothes react realistically to every step.
CAMERA
Start from behind the character-sheet girl, approximately at waist/chest height, similar to the original running-field reference.
The camera operator is physically running behind her, creating subtle organic handheld movement. Keep her generally near the center of frame but don't artificially lock her there. Allow tiny framing mistakes and natural vertical movement from footsteps.
As she runs, some fluffy sheep occasionally enter closer to the camera and cross through the foreground while she continues farther ahead.
Keep it intimate and observational—as though a friend happened to capture this beautiful moment on an old camera.
No drone shot. No orbit. No gimbal-perfect stabilization. No dramatic zoom. No artificial camera movement. No slow motion.
LIGHTING
Warm natural late-afternoon sunlight, matching the reference image. Soft golden sunlight should catch the edges of her hair, shoulders, grass, and the sheep's thick wool. The sheep's wool should pick up beautiful creamy golden highlights while retaining slightly darker warm shadows between individual wool strands.
The lighting should feel completely natural and available, not artificially staged.
SOUND
NO MUSIC.
Only natural location audio: her genuine laughter, slightly breathless breathing while running, feet moving through grass, sheep's little footsteps, occasional soft sheep sounds, thick wool brushing against grass, grass rustling, and a gentle natural breeze.
FINAL FEELING
The entire scene should feel like a forgotten childhood memory captured on warm vintage film—quietly cinematic, imperfect, innocent, playful, nostalgic, dreamy and emotionally warm.
STRICT NEGATIVE: no modern glossy grading, no cold/cyan cast, no vibrant emerald-green grass, no oversaturation, no HDR, no excessive contrast, no crushed blacks, no perfect digital sharpness, no artificial studio lighting, no slow motion, no duplicated sheep, no fused sheep, no malformed legs, no floating animals, no unnatural running animation, no robotic girl movement, no exaggerated acting, no text, and no music.

Use the character-sheet girl as the STRICT character reference. Keep her recognizable face, facial proportions, age, hairstyle, body proportions, and overall appearance exactly consistent with every previous scene. Keep the same locked 90s vintage color base from the first reference image throughout both shots. These two shots must feel like they were captured on the exact same old roll of film.
SCENE 1 — LYING IN THE FIELD, LOOKING AT THE SKY
The girl is now lying completely relaxed on her back in the same huge open grassy field from the earlier running scene. The field consists of soft, slightly uneven rolling green grass with a simple distant horizon. No buildings, roads, fences, crowds, mountains, or modern objects.
She lies directly in the grass, comfortably settled into it. Her body is relaxed and still. Both hands rest naturally underneath the back of her head, with her elbows opened loosely outward, like someone resting in a field and watching clouds pass overhead.
Her legs are relaxed rather than perfectly straight—one knee can be slightly bent while the other leg rests naturally against the grass.
She is looking straight upward toward the sky, completely absorbed in watching the clouds.
Her expression is peaceful and innocent, with a very subtle sense of curiosity. She isn't posing or looking toward the camera. Her eyes slowly follow something moving above her. After a few seconds, the smallest soft smile appears on her face, as though she has recognized a funny shape in the clouds.
A gentle breeze softly moves her hair, loose strands around her face, her clothing, and the tips of the surrounding grass.
CAMERA: begin with an intimate side/three-quarter medium shot from very low in the grass, approximately at the level of her body. Some blades of grass naturally fall softly out of focus in the foreground. Her face is visible in profile/three-quarter profile as she stares upward.
Then hold on her eyes looking toward the sky for a moment.
Do not show what she sees yet.
Natural handheld imperfections only. No orbit, no dramatic push-in, no zoom, no slow motion.
CUT TO — HER POV OF THE SKY
Make a clean natural cut from her looking upward to a full-frame view of the sky, as though we are now seeing exactly what she sees.
The entire frame becomes a huge dreamy sky filled with many soft, layered clouds.
The sky and clouds have a subtle dusty pink / faded peach / pale rose tint, but keep it restrained and natural within the established vintage palette. It should not become bright fantasy pink or purple.
There are many different layers of clouds—some thin and wispy, some larger and softly illuminated, with gentle variations of faded pink, warm ivory, dusty peach, muted gray and pale cream.
Among the clouds is one unusual formation that naturally resembles the silhouette of a cow.
The cow shape must be made entirely from a real cloud. It should not look like a cartoon cow, illustration, CGI animal, or perfectly sculpted cow. It is simply an accidental cloud formation where the viewer can recognize a cow-like body, small head, four vague legs, and a soft suggestion of a tail.
Keep the shape slightly ambiguous, like real cloud watching—you look at it and think, that looks like a cow.
CLOUD TRANSFORMATION
Hold on the cow-shaped cloud for a brief moment.
The wind then slowly begins changing its shape naturally.
First, the edges around the legs become softer and start drifting apart. Then the head gradually stretches into the surrounding cloud. The body loses its recognizable outline as wispy pieces gently separate.
Within a few moments, the cow shape completely dissolves and spreads apart into ordinary clouds.
It should feel like genuine atmospheric cloud movement—not a magical transformation or morphing VFX.
The separated wisps continue drifting peacefully across the frame.
MASTER 90s COLOR GRADE — STRICTLY LOCKED
Match the first reference image's color character across the girl, grass, and sky.
Authentic 90s film/home-video memory aesthetic: slightly warm and faded, restrained saturation, creamy skin tones, earthy muted olive-green grass, soft yellow/amber warmth in highlights, slightly green-brown shadows, gently lifted blacks, low-to-moderate contrast, and softly rolled-off highlights.
For the sky shot, introduce the dusty pink/peach cloud tones while keeping the same faded 90s base. The pink should feel aged and sun-faded rather than digitally saturated.
Add fine organic grain, subtle analog noise, slight softness, mild color bleed, faint halation, gentle haze, imperfect exposure, and a tiny amount of natural flicker.
The footage should look like an actual memory captured in the 1990s, not modern 4K footage with a retro filter.
AUDIO — NO MUSIC: gentle wind moving through the grass in the first shot, distant birds, subtle fabric and grass rustling. When cutting to the sky, keep only the soft wind and distant natural ambience.
STRICT NEGATIVE: no cartoon cow, no actual cow floating in the sky, no perfectly detailed cow-shaped cloud, no magical glowing cloud, no fantasy VFX, no rapid morphing, no dramatic sunset, no neon pink or purple sky, no HDR, no cyan/teal grade, no oversaturated grass, no modern digital sharpness, no dramatic camera movement, no slow motion, no dialogue, no text, and no music.

Use the character-sheet girl as the STRICT character reference. Keep exactly the same recognizable girl from all previous scenes—same face, facial proportions, hairstyle, body proportions, age, and natural appearance. Keep the same fluffy pure-white Persian kitten and the exact MASTER 90s warm color grade from the sheep-field reference. SCENE — FAST BICYCLE RIDE + LAUGHING The girl is riding a simple vintage bicycle quite fast along a narrow paved path surrounded by an enormous open grassy field. She is confidently pedaling faster and faster, having genuine fun. She is laughing naturally while riding, clearly excited by the speed. Her smile is big but authentic, her eyes occasionally squint from laughing and from the wind, and her hair blows strongly backward as she rides. Her body reacts naturally to the faster bicycle movement—she leans slightly forward over the handlebars, pedals quickly, her shoulders subtly bounce with the uneven path, and her clothes and hair flutter strongly in the wind. At one moment she laughs harder, briefly turns her face slightly upward toward the camera, then immediately looks forward again while continuing to ride fast. KITTEN — REAR BASKET Securely attached above the rear wheel is a deep bicycle basket/crate containing the same extremely fluffy pure-white Persian kitten. The kitten remains safely seated inside the basket, with only its fluffy head and upper body visible above the edge. Its enormous soft white fur blows gently backward from the bicycle's movement. The kitten naturally looks from side to side as they move, but never tries to jump out. CAMERA — MUST STAY ABOVE HER THE CAMERA REMAINS ABOVE THE GIRL FOR THE ENTIRE SHOT. Match the supplied reference angle closely: a close high-angle overhead tracking shot, approximately 60–70° downward, positioned above and slightly to the side of the moving bicycle. The camera travels quickly alongside/above her at exactly the bicycle's speed. The frame clearly captures the top of her head, her laughing face from above, shoulders, arms holding the handlebars, part of the bicycle, her pedaling movement, and the rear basket containing the fluffy white kitten. Keep the camera relatively close to her rather than turning this into a distant drone shot. Because she is riding fast, introduce natural handheld instability, subtle vibration, slight motion blur in the passing pavement and grass, and imperfect framing. The ground should visibly move quickly underneath her, making her speed obvious. DO NOT lower the camera. DO NOT transition to eye level. DO NOT cut to a front shot. DO NOT orbit around her. The entire video stays at the same ABOVE / HIGH-ANGLE perspective. COLOR GRADE — LOCKED Use the exact warm nostalgic color grade from the sheep-field reference: warm late-afternoon golden sunlight, creamy natural skin tones, muted olive-green grass, pale warm highlights, subtle amber/yellow warmth, softly lifted blacks, restrained contrast, slightly faded saturation, soft highlight roll-off, fine organic film grain, gentle analog noise, slight 90s softness, subtle halation, and imperfect vintage exposure. The kitten's white fur becomes a soft creamy white under the golden sunlight, never harsh digital white. It should feel like an authentic 90s memory captured on an old camera, not modern 4K footage with a vintage filter. AUDIO — ABSOLUTELY NO MUSIC NO MUSIC AT ANY POINT. NO BACKGROUND SCORE. NO INSTRUMENTAL AUDIO. Use ONLY natural diegetic sound effects: her genuine laughter, faster breathing from pedaling, wind rushing past the camera, bicycle tires rolling quickly across the pavement, bicycle chain and gears moving, subtle pedal sounds, occasional tiny mechanical rattles from the vintage bicycle, grass moving in the wind, distant birds, and optionally one very subtle natural kitten meow. Her laughter should be clearly audible and natural while she rides. The overall feeling is fast, carefree, playful, spontaneous and nostalgic, like someone captured a genuinely happy summer memory on an old 90s camera. STRICT NEGATIVE: absolutely no music, no soundtrack, no background score, no slow bicycle riding, no slow motion, no eye-level camera, no low-angle camera, no front-facing camera, no camera orbit, no distant drone shot, no camera dropping below her, no black/gray kitten, no kitten leaving the rear basket, no HDR, no cyan/teal grade, no oversaturated green, no modern ultra-sharp look, no robotic movement, and no text.

Use the character-sheet girl as the STRICT character reference. Keep exactly the same recognizable girl from every previous scene—same face, facial proportions, hairstyle, body proportions, age, and natural appearance. Keep the same MASTER warm 90s color grade from the sheep-field reference. This must feel like another memory from exactly the same film.
SCENE 1 — GIRL PLACING THE PAPER BOAT
Create a peaceful outdoor scene inspired by the supplied reference composition. The girl is crouching/squatting naturally at the edge of a very small, shallow pond surrounded entirely by uneven green grass.
Keep the camera at approximately the same elevated wide three-quarter angle as the reference, looking slightly downward toward both the girl and the pond. The pond occupies a large portion of the frame, allowing her reflection and the surrounding landscape to appear naturally on its surface.
She is alone.
The girl is holding a small handmade white paper boat carefully between her fingers.
She leans forward over the edge of the pond, extending one hand slowly toward the water while her other hand naturally helps her balance against her knee.
Her expression is quiet, gentle and slightly thoughtful. She watches the little paper boat carefully.
She slowly lowers the white paper boat until its bottom gently touches the surface of the water.
For a moment she still holds it with her fingertips.
Then she carefully releases it.
The boat floats.
Her fingers remain close to the water for a second as she watches it begin to move away. Tiny circular ripples spread outward from where the boat touched the surface.
Keep her movements small, delicate and completely natural—no dramatic gestures.
The still pond naturally reflects portions of her silhouette, the grass, trees and warm sky.
CUT TO SCENE 2 — CLOSE-UP OF THE PAPER BOAT
Cut immediately as she releases the boat.
Change to an intimate low close-up at almost water level, focused entirely on the same small white paper boat floating on the pond.
At the beginning of this shot, her fingertips are still visible gently releasing the top/back edge of the boat.
Her fingers slowly pull away and leave the frame.
The camera remains focused on the paper boat.
The boat makes a tiny natural rocking movement from being placed into the water. Small ripples travel outward around it.
Then a very gentle current/breeze begins carrying the boat slowly forward across the pond.
Do not make the boat travel unnaturally fast. It should quietly drift.
Show subtle reflections moving underneath it—the faded sky, dark shapes of distant trees and muted green grass along the shoreline.
Keep the camera very close to the surface, making the tiny paper boat feel emotionally important.
No hands remain in frame after she releases it.
CAMERA CONTINUITY
Shot 1: elevated wide three-quarter composition matching the supplied reference—girl crouched beside the pond, surrounding grass visible, reflection visible.
Shot 2: hard natural cut to a tight water-level close-up precisely when she places/releases the boat.
Do not slowly move the first camera down toward the boat. It should feel like two separate shots from an old movie.
MASTER COLOR GRADE — LOCKED
Use the exact same warm nostalgic grade established by the sheep-field reference.
Warm late-afternoon 90s-film character, creamy natural skin, muted olive and moss greens, soft golden/amber sunlight, warm neutral shadows, slightly faded saturation, gently lifted blacks, restrained contrast, smooth highlight roll-off, fine organic grain, subtle analog noise, mild vintage lens softness, delicate halation and naturally imperfect exposure.
The pond should be a dark muted gray-green, reflecting the environment naturally—not bright blue.
The white paper boat should appear slightly warm ivory/creamy white under the sunlight, rather than sterile digital white.
Keep the whole image soft, tactile and slightly imperfect. No modern HDR, no teal/cyan grading, no neon greens, no ultra-sharp digital appearance.
SOUND — ABSOLUTELY NO MUSIC
NO MUSIC. NO SCORE. NO INSTRUMENTAL SOUND.
Only natural ambience: gentle wind through the grass, distant birds, subtle insects, tiny movements of water against the bank, her clothes softly rustling as she crouches, the faint touch of paper against water, and delicate water sounds as the boat begins floating.
No dialogue.
The feeling should be quiet, innocent, nostalgic and slightly bittersweet—like a tiny forgotten moment captured on film in the 90s.